Topic: Heritage

Jason Johnson of the Law Enforcement Legal Defense Fund discusses a report on "prosecutorial malpractice" in six cities with progressive DAs. The hosts point out that the Heritage Foundation is also a donor-funded organization, suggesting that both sides of the political aisle are looking for their own "billionaire daddy" to fund their agendas. They predict the next phase of policing will involve surveillance algorithms rather than more officers on the street.

The hosts critique the Heritage Foundation's desire for a "conservative Soros" to fund their own brand of social control. They discuss how the modern information landscape is dominated by headlines and "filters," where facts are less important than viral propaganda. They argue that both the left and right are offering different versions of the same "crap sandwich" involving increased surveillance and state control.

Producer KR discusses his potential role at the Heritage Foundation and AEI to influence fact-based federal policy. Other producers contribute to the "Give Blacks and Adam's White Ass Some Ammo" fund. The hosts discuss the National African American Gun Association (NAAGA) and the idea of creating a "School of Fish" fraternity for the show's community to counter the influence of organizations like the Boule.

The act of changing one's name or denying lineage is discussed as a profound betrayal of family. A reference to the Michael Keaton film "My Life" illustrates how changing a family name can hurt previous generations. This sentiment is applied to the concept of racial passing, which often requires the total abandonment of one's parents and history.

Roberta Jeanette Ordler, known as "Bird," discusses her life in a community where many residents appear white but identify as black due to their lineage. She traces her ancestry through German, Irish, and African roots, emphasizing that her family always registered as black. This segment reinforces the idea that identity is often rooted in family history rather than outward appearance.

Historian Allen Guelzo discusses the 1619 Project on Ben Shapiro’s platform, criticizing the Pulitzer Committee for rewarding a project he claims is riddled with historical holes. Guelzo argues the project's primary goal is to teach children that American capitalism is a form of totalitarianism modeled on slavery. The hosts note that even right-wing critics like Guelzo observed the conspicuous absence of a formal reparations demand within the New York Times project.