4 chapters across the catalog
The hosts criticize the Broadway musical "Hamilton" and mainstream media for "rehabilitating" the image of figures like Benjamin Rush. They argue that portraying Rush as a progressive abolitionist is a form of "linguistic violence" that ignores his racist scientific theories. The musical is described as "programming" for New York elites to adopt a sanitized version of history.
The hosts discuss the trend of "rewriting history" in popular media like Netflix's Bridgerton and the musical Hamilton. They argue that casting black actors in historical European aristocratic roles is a form of social engineering designed to make the past more "culturally friendly" to modern audiences. This is linked to the broader goals of the Black Lives Matter movement in Europe.
Dinesh D'Souza publicized research tracing Kamala Harris's lineage to Hamilton Brown, reportedly one of the largest slave owners in Jamaican history. While Snopes lists the claim as unproven, Harris's father previously wrote about this ancestry, leading to internal family friction over her public "caricature" of Jamaican culture. Additionally, her mother’s side is identified as belonging to the Brahmin caste, the highest social tier in India.
Karen Hunter and Dinesh D'Souza offer conflicting views on Kamala Harris's heritage. While Hunter suggests Harris's mother may have been from a lower caste, D'Souza points out that her mother's family were Brahmins—the highest Indian caste—and her father's ancestor, Hamilton Brown, was a major slave owner in Jamaica. The hosts argue that Harris's background is far more elite than the "struggle" narrative suggests.
