Topic: Devil

4 chapters across the catalog

99: Devil in the Details
• 0:00 - 5:38

99: Devil in the Details

White Supremacy, Demonic Systems and the White Devil Slur

Adam Curry and Mo Facts introduce episode 99, titled "You Have to Kill the Devil," which examines whether the system of white supremacy is inherently demonic. The discussion distinguishes between white people, non-white people, and white supremacists, defining the latter as those who believe in mistreating others based on color. They explore the "white devil" slur and argue that white people who refuse to participate in the system represent the greatest threat to its continued existence.

99: Devil in the Details
• 2:23:18 - 2:27:24

99: Devil in the Details

Louis Farrakhan, White Devil and Taylor Swift

Louis Farrakhan's "white devil" rhetoric is described as being funded by H.L. Hunt's legacy to promote global racial division. The Hunt family, who owns the Kansas City Chiefs, is also linked to the public "parading" of the Taylor Swift and Travis Kelce relationship, which is framed as a stereotypical display of "whiteness" and mating rituals.

99: Devil in the Details
• 2:43:11 - 2:47:55

99: Devil in the Details

Napoleon Hill, Interview with the Devil

In an audio recording based on Napoleon Hill's "Outwitting the Devil," the "Devil" explains how he controls 98% of people by occupying the "unused space" of the human brain with negative thoughts. His primary tools are the six fears: poverty, criticism, ill health, loss of love, old age, and death. He claims to thrive on the "habit of drifting," where individuals stop thinking for themselves.

93: Higher Infinite Power
• 1:42:48 - 1:46:21

93: Higher Infinite Power

The Piano as the Devil's Box

Neely Fuller describes how the piano was once considered the "devil's box" and banned from many Baptist churches because it was associated with brothels and "houses of ill repute." Mo Facts recounts similar pushback against drums and keyboards in the Southern Black Baptist churches of his youth, noting the gradual "slippage" of what instruments were allowed in worship.