2 chapters across the catalog
Michael Jackson's changing appearance and perceived desire to look white are discussed in the context of his immense cultural value. It is argued that Jackson was "too valuable to cancel" by the black community despite his physical transformation. His status as a global icon allowed him to navigate racial boundaries in a way that average individuals could not.
The discussion concludes that films like Queen and Slim are intended to keep the public docile and divided during times of political maturation. The "uprising" is defined not as violence, but as Black Americans reclaiming their political power and refusing to vote for interests that do not serve them. The term "racial thriller" is coined to describe this genre of trauma-based entertainment.
