1:29:03 Wow. You know what I'm thinking? Mo, you and I are missing out on something. What's that? Maybe we're not doing it right. I don't know. A bunch of married guys with kids. This seems like we're missing out on all the fun stuff, all the power, the true mysteries of the world. Well, I'm glad you brought that up, which brings us to our last set of clips. Because with that power, with that access, comes a dark side. And so this is David Chappelle after he, when he turned down his $50 million deal and he went on the run because they said he was losing his mind.
1:29:48 David Chappelle on Oprah. Fine, fun, fun. I'm glad you're here. Everybody wants to know why'd you walk away from $50 million? Well, I wasn't walking away from the money. Yeah. I was walking away from the circumstances that were coming with the newfound plateau. Yeah. It takes a while when you punch through to adjust to the atmosphere. It was completely outside of my frame of reference. I've been in show business since I was 14.
1:30:27 And I've heard the stories of what happens. And I've seen these kinds of things play out in front of me. When you say you heard the stories, what do you mean? What stories? I mean, you see it before. Look, Marion Carrie made a $100 million deal, and three months later, she's all of a sudden mysteriously crazy. Or Martin Lawrence punches through and he's waving a gun on the street screaming, they're trying to kill me. Yeah. Yeah. Yeah. We hear those stories. And it always happens around a time of their career where it seems as though they're crossing over the next plateau. Yeah. Yeah. Yeah. This is well-known stories. I would say these days
1:31:07 there's still gossip that Rihanna may be the queen lesbian that everyone has to bow down to and maybe Beyonce has some of that role. And there's a lot of talk. Always been a lot of talk about this. Yeah, but the point I'm trying to make is when you take that next step, when you know, when you tiptoe into that next, what he said, the next plateau, which is, you know, saying interesting term to use, there's a cost to it. And we've seen that throughout history. We see that throughout this whole episode, if you want to call it that, that when these people get to a certain level, it costs them certain things.
1:31:52 Whether it's the lady at the beginning, she couldn't really talk about Jasmine. She couldn't really talk about how she really felt because she was taught back by her alliances, even down to David Chappelle. And we've got a couple more clips and we're going to wrap it up here. So David Chappelle, too. Would you say you lost your mind, sort of? No, no. Not exactly. Okay. I wasn't crazy, but it's incredibly stressful. Yeah. And I feel like in a lot of instances, I was deliberately being put through stress because, you know, when you're a guy that generates money, people have a vested interest in controlling.
1:32:35 Yeah. If you've ever seen Martin Lawrence on Inside the Actor Studio tell his story, it's even more vivid. It's really even more vivid than this. Yeah, and that's okay. To inside baseball. I always got to give you a little bit every time. It's a common thing that when black men make it in Hollywood, a majority of them had to bend over. Yes, this has been said about Eddie Murphy, about Arsenio Hall. I know those for sure because I've heard people say it. Even Quincy Jones came out and kind of substantiated
1:33:15 a lot of this. I mean, he was like, yeah, this guy was with that guy. And, you know, he was, this guy was with Marlon Brando and he was throwing names out there. I've heard about Diddy. You hear this all the time. Right. So that's. a common theme. And in this third and the final clip, David Chappelle is going to illustrate how they come at you in Hollywood. The hardest thing to do is to be true to yourself, especially when everybody's watching. Yes. Yes. Show business has to do with compromise and wearing the mask. You know, when they say, black folks, we wear that mask. You walk in that boardroom. It's nothing like, you know, walking the boardroom, like, what's popping, David?
1:33:57 You know, you gotta be, you gotta put that mask on. And, you know, it's like we're bilingual. We speak job interview and we speak when we speak around each other. You know what I'm saying? Did you feel like a sellout? I felt like that man touched my inner coon. They stirred them up. When we were doing that sketch and that guy laughed, I felt like, man, I felt like they got me. They got me. I mean, I'm a conspiracy theorist to a degree. Like, when I connect dots that maybe shouldn't be connected, I don't know. But certain dots, like when I see that they put every black man in the movies in a dress at some point in their career, I'll be connecting them down, like, wow, these brothers gotta wear a dress.
1:34:41 This happened to me. I'm doing a movie with Martin. Yeah. The movie's going good. So I walk on a trailer. I'm like, man, this must be the wrong trailer because there's a dress in here. They come in. The writer comes in. I think he's the writer. He's like, Dave, listen, we got this hilarious scene where Martin's sneaking out of jail. So he disguises you as a prostitute. And he put this dress on. And huh? My prostitute. No, I'm not doing that. I don't feel comfortable with that. That should have been in the discussion. What? You don't feel comfortable with it. I mean, it's a hilarious bit.
1:35:22 All the greats have done it. So, well, if all the greats have done it, it's kind of hacky, right? You're right. So why don't we just not do it? Because I don't feel comfortable wearing a dress. Oh, come on, Dave. Listen, we got it all set up. We're supposed to shoot. Every minute she waste costs this much money. You know, the pressure comes in. He said, I'm not wearing no dress, man. I'm funnier than a dress. Just give me something funny to say. I don't need to wear no dress to be funny. Am I Milton Burrow? You know, we're going like this. And then finally, he's like, ah, and he leaves. And then the director comes, Dave, it really would be great if you wear the dress. What is wrong? What is this? Broke back mountain in here. So wear the dress. I don't want to wear the dress. I want to wear this dress.
1:36:09 So hopefully I've illustrated to a point why black people, especially black heterosexual men, are apprehensive to what we view as an agenda. Some of us, majority of us, view as an agenda being pushed, not by the people themselves, but from on high. I hope I did that with this with this with this episode.