Transatlantic Recording from Amsterdam Schiphol Airport
The program opens with a prayer of gratitude for grace and patience before establishing the date as Wednesday, April 13, 2026. One host is recording remotely from a hotel at Schiphol Airport in Amsterdam, situated nine feet below sea level, while the other remains in the Fredericksburg Bridge Church studio. They reflect on the unusual experience of recording a transatlantic episode without being in the same physical space.
amsterdam· schiphol airport· fredericksburg· bridge church· transatlantic
00:00 Father, we are grateful today for your grace. We are thankful for your mercy. We are thankful for what modern translations say patience, but what the classic King James says, long suffering, that you suffer long with us. And you do that because you love us. You're patient. You're not willing that any should perish, but that all should come to repentance. So thank you, Father, for your blanket of grace over this world, drawing you back to yourself. No matter what's going on in this world, Lord, we trust you. You've ordered our steps. You delight in the details of our lives. And we get to do this. In Jesus' name, amen. Amen. It's Wednesday, April 13th, 2026. We get to do this. This is episode number 32.
00:46 This is the life we've been blessed with. This is a gift for the kids and do this. This is a chance we dare not miss. This is the life we get to do this. Yes, we do. And we get to do it transatlantic this week. How you doing, brother? Brother, we are over the pond right now. I mean, maybe under. We may be under. Is this over or under? I'm not sure. No, I'm actually at the airport. I'm actually below sea level, believe it or not. Oh, wow. Yeah, I think Schiphol Airport is where we're in the hotel. And I think it's like nine feet below sea level, technically.
01:29 So, right? I'm pretty cool. I'm underwater. You're underwater, brother. So I'm in Amsterdam. So cool. My brother Jimmy is in the Fredericksburg Bridge Church studio. This is so odd. I mean, I've done remotes for 20 years longer than that. Oh, with John Dvorak, sure. But not to be sitting there looking at you is weird. It is. I'm talking to an empty chair over here. And if I close my eyes, it's the same, though. You know, right here. It sounds like you're right here. I mean, sounds like you're right here in the studio.
